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Thanks for reading.
7/30/06
Recording the creative process
Remember when I discussed logistics of
cut-and-paste-for-effect?
If I have a gag in which one, some or all of the figures are identical in two
or more panels, I'll draw the figure/s once, scan it/them, and paste it/them
into each panel where the character/s so appear/s. (Those are easy to color
too - I just color the first figure, select the colors without the outline,
and copy the color selection into the figure/s in the other panel/s.) If I
have a gag in which some figure/s are near identical in two or more
panels, I'll draw the figure/s once with all (and only) the attributes
required for every panel, scan it/them, paste the composite figure/s into
each concerned panel, and for each panel erase the bits that don't belong
there. (Coloring these is more difficult, which is why I say
cutting-and-pasting near-identical figures into multiple panels is
probably more work than drawing each panel separately.)
I'd thought of doing last Monday's cartoon as cut-and-paste, since the first
four panels are the same two characters discussing the same subject in four
different arcs. As I said before, when it comes to many merely
nearly-identical panels, it's more work to cut-and-paste than to draw every
panel fresh. For last Monday's, I wasn't up to the challenge.
For today's, I didn't feel like letting my sloppy spontaneous
draughtsmanship produce renderings of the car that differed enough between
panels that they might distract from the gag. So I drew the car only once.
In fact I drew only half of it and cut-and-pasted the half to itself, so it'd
be symmetric. The seats behind the boys I drew seperately and pasted in. Then
I drew the figures. I pasted them into each panel, and then I pasted the car
exterior over them again. Then I realized there ought to be the inside of the
car body; so I drew that into the dummy car exterior I still had, pasted that
into every panel, and - having previously copied the whole cartoon onto the
clipboard - pasted the seats, the boys, and the car exterior back into every
panel over the interior.
Think of it as "layers for MSPaint".
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Webcomics I read mornings:
Kevin & Kell,
For Better Or For Worse,
Shortpacked,
Scary Go Round,
Tux & Bunny,
Real Life,
Peanuts
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Webcomics I read M-W-F mornings:
El Goonish Shive,
Theater Hopper,
Nukees,
Newshounds,
Girl Genius,
Todd and Penguin,
Pibgorn,
Ctrl+Alt+Del
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Webcomics I read Tu-Th-Sa mornings:
AppleGeeks,
General Protection Fault,
Something Happens,
Striptease,
Achewood,
Kismetropolis,
The Holy Bibble,
Digger
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Webcomics I read evenings:
LuAnn,
Count Your Sheep,
Goats,
Pearls Before Swine,
American Elf,
Irregular Comic,
Bruno,
Sluggy Freelance,
Boxjam's Doodle
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Webcomics I read M-W-F evenings:
Reasoned Cognition,
Two Lumps,
Zortic,
Order of the Stick,
College Roommates from Hell!!!,
Home on the Strange,
Penny
Arcade
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Webcomics I read Tu-Th-Sa evenings:
Casey & Andy,
Dandy & Company,
The Adventures of Dr. McNinja,
Get Out of My Head,
Megatokyo
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Webcomics I read Sundays:
Mac Hall,
Smithson,
The Angriest Rice Cooker In The World,
No Room for Magic,
13 Seconds,
Li'l Mell,
Help Desk,
The Magnificent Adventures of Hieronymus Bosch, esquire,
The Whovian Observer,
Gossamer Commons,
Perry Bible Fellowship,
Ctrl+Alt+Del
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See also
The Daily Grind Iron Man Challenge,
Talk About Comics,
The Living Comic,
Online Comics Day,
The Belfry Comics Index,
The Webcomic List,
Mister Bloo,
Nth Degree,
100% Originality Theatre,
Girls Read Comics (And They're Pissed),
Fleen,
Comixpedia and
Websnark.
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Arthuriana sources I use or recommend:
Arthurian
Legend
Arthuriana - the
Journal of Arthurian Studies; the website of the quarterly journal of the
North American Branch of the International Arthurian Society.
The Camelot Project at the University of Rochester.
Camelot In Four
Colors: A Survey of the Arthurian Legend in Comics
Mystical-WWW -
The Arthurian A2Z knowledge Bank which has encyclopedically-arranged
entries on the characters of the Arthurian legends.
Le Morte Darthur: Sir Thomas Malory's Book of King Arthur and of his Noble
Knights of the Round Table,
Volume 1 and
Volume
2.